Adam Goodes was right

_MG_7523When Adam Goodes performed his controversial “war dance”, in celebration of the Sydney Swans’ victory over Carlton earlier this year, what most Australians didn’t realise what that he was enacting real Australian culture dating back thousands of years.

Through his in-depth research with Indigenous tribes in the Northern Territory, author and cross-cultural facilitator Richard Trudgen (Finalist, NT Senior Australian of the Year 2015) reveals how Adam Goodes’ “war dance” is in fact the same externalceremonial act as what the Yolngu of Arnhem Land refer to as “balyunmirr”, which has parallels with the haka in New Zealand.

Richard says, “We could be giving the New Zealanders their haka and then some, if Australians only knew their real cultural roots”.

This concept of balyunmirr is one that has remained unknown outside of Arnhem Land, until now. There is no equivalent word for the term in English.

Many Yolngu will say: “It is my family’s heraldic symbol, our legal colours and designs that belong to my family, it is our ‘coat of arms’. It forms part of our traditional law and estate rights. It represents who I am, it is my identity.”

They are performed at prescribed times of great celebration, such as at official ceremonies, funerals, or when opening and closing different chambers of traditional law.

Yolngu may also balyunmirr to create legal sanctuary, like a safe house or embassy for family members under threat. And it is also used when welcoming outsiders to their traditional estates, as a statement of jurisdictional authority. It can be said that balyunmirr is the original Welcome to Country ceremony.

Sometimes a Yolngu person will play just the rhythm and the words in their heads to encourage themselves in times of self-doubt or extreme trial.

At other times Yolngu act out a part of the steps/dance and sing the words to give courage to themselves and their colleagues, as they prepare to take on a public challenge or defend their homes or themselves. Similar to “giving strength to the arm” or, in the way the New Zealand haka is performed before a rugby game, to show the other side that, “We/I cannot be beaten”.

It’s also used as Adam Goodes used it; to celebrate a victory.

Yolngu radio presenter Dianne Gondarra says, “It seems strange that Balanda (European) Australians would attack Adam for what he did, as many football, tennis and cricket players do a small contemporary balyunmirr before the crowd when they win. For example, some go down on their knees, point to the sky with both hands and fingers raised, some cross themselves or put their hands together in a small prayer, this is to balyunmirr.”

Many Yolngu people see clear cultural similarities between their balyunmirr performances and some contemporary cultural activities, which can help us understand balyunmirr. This includes the mainstream Guard of Honour ceremonies.

Richard Trudgen has lived and worked with the Yolngu peoples of Arnhem Land for the last 40 years. He is a veteran community educator, cross-cultural facilitator and presenter, and author of the seminal work on contemporary Indigenous Australia “Why Warriors Lie Down And Die”.

To read Richard’s full article, visit:

Interview Contact

Richard Trudgen: 0400880954,

High-Res images of traditional Yolngu balyunmirr are also available